Could a ‘blind recruitment’ policy make Canada less racist?

Good debate and discussion to have, given work by Oreopoulos and others demonstrating hiring bias:

What’s in a name? More than you may think. Removing names from job applications — a process known as blind recruitment — can actually curb both overt racism and unconscious bias.

And at least one MP thinks that Canada should adopt the policy.

Liberal MP Ahmed Hussen made that statement after CBC Marketplaceinvestigated how race and culture influences how companies treat shoppers, apartment-hunters and job-seekers across Canada.

Hussen stood in Parliament Wednesday to suggest that the federal government follow Britain’s lead to better ensure our government ranks reflect the people they serve.

“We must ensure our public service adopts name-blind recruitment,” the newly elected MP said. “I rise today to bring attention to an idea that will assist in our fight to end discrimination and attain real equality in our country.

“It is crucial that Canadians who have got the grades, skills, and the determination succeed.”

Britain adopted a blind-recruitment policy for its civil service in October 2015 after a number of organizations found the practice worthwhile.

While visible minorities make up almost 20 per cent of Canada’s population, the civil service is less diverse at only 14 per cent, according to 2013 data.

The months-long Marketplace investigation looked at blind recruitment and how bias affects how we’re treated and how we treat one another, including why we intervene — or don’t — to defend a stranger.

‘It’s had a huge impact’

When the Toronto Symphony Orchestra began to audition musicians blindly in 1980, putting them behind a screen, the result was profound.

While the hiring committee could hear an applicant’s performance, they not see what he or she looked like. They even put down a carpet so high heels couldn’t be heard.

Now the orchestra — which was made up almost entirely of white men in the 1970s — is almost half female and much more diverse.

“It’s had a huge impact from the beginning, when screens came in,” says David Kent, the TSO’s principal timpanist and personnel manager.

Source: Could a ‘blind recruitment’ policy make Canada less racist? – Canada – CBC News

Pianist says TSO donor threatened to cut funds if she performed

Diaspora politics at play?

Valentina Lisitsa, whose appearances were cancelled this week by the Toronto Symphony Orchestra because of tweets she posted about the Ukrainian crisis, says the TSO told her agent a donor threatened to withhold funds if she performed as scheduled.

In an interview in Toronto on Tuesday, the Ukrainian pianist also said orchestra CEO Jeff Melanson repeatedly refused to discuss the matter directly with her, and that orchestra management was swayed by “malicious translations” of some of her tweets in Ukrainian.

Ms. Lisitsa swept into a downtown hotel late in the afternoon saying she was determined to play in recital somewhere in Toronto on the nights she was to have played Rachmaninoff’s Piano Concerto No. 2. “Maybe I’ll play it without them, just the solo part,” she said. “I’ve done it before.”

Ms. Lisitsa’s account of her dismissal conflicts at several points with the account given on Tuesday by Mr. Melanson. But they agreed that she would not retract the offending tweets.

Mr. Melanson said in a phone interview there was “absolutely no donor pressure.” Ms. Lisitsa showed The Globe and Mail an e-mail from her agent, Tanya Dorn at IMG Artists, dated Feb. 27, in which Ms. Dorn said she had spoken with Loie Fallis, TSO vice-president of artistic planning, who told her (in Ms. Dorn’s words) a “Ukrainian donor wants to pull his sponsorship.”

Mr. Melanson said the TSO received complaints from “a wide swath of Torontonians, I would say in the hundreds” about Ms. Lisitsa’s engagement because of her social media posts. He pointed to four tweets, one of which was translated as: “Dear conscious Ukrainians: I will never get tired of reminding you that you are dog feces. Thank you kindly for your attention.” Another shows the behinds of three hogs, with a text translated as: “Here are the faces of the leaders.”

Ms. Lisitsa said the translations were wrong, that “leaders” should have been “bureaucrats,” and that the first comment, translated without the quotation marks of the original, was an ironic quote from a literary work. Other tweets have been taken out of context or misinterpreted, she said.

…On March 13, Ms. Lisitsa said, the TSO forwarded to Ms. Dorn an e-mail from Toronto lawyer Michael C. Smith that cited section 319 of the Criminal Code concerning “wilful promotion of hatred,” and said “there is a possibility that Ms. Lisitsa could be stopped at the border … and deemed ‘unacceptable’ to Canada.” An attached note from Mr. Melanson, who is not a lawyer, went further, stating that Ms Lisitsa’s social media posts “would likely breach or come close to breaching the Criminal Code of Canada.” Ms. Lisitsa replied with her lawyer’s opinion rejecting that of Mr. Smith.

“The TSO said they were concerned,” she said, “and I offered to talk, but they never would. Jeff would never talk to me in person. They would say, ‘Jeff is going to talk to the Ukrainian community and he’ll get back to you.’ And I said, ‘Why won’t he talk to me?’ There was always a wall.”

Mr. Melanson gave a somewhat different account. “I think there was one offer to speak with us,” he said, but added that Ms. Lisitsa eventually insisted all communications go through lawyers. On Sunday, Ms. Lisitsa sent Ms. Fallis an e-mail, which she shared with The Globe, in which she said: “I am more than happy, if you wish, to meet tomorrow and talk how to best handle things that will arise from my appearance with TSO… I am not coming to give political speeches.”

That day, Ms. Lisitsa said, the orchestra told her manager her appearances were cancelled, and proposed a “very neutral” public statement that she was unable to perform. Ms. Lisitsa said that had she acquiesced, those in the local Ukrainian community who objected to her engagement would claim victory, “and wave it like a flag. I thought, it’s going to come out anyway, and not on my terms.”

Pianist says TSO donor threatened to cut funds if she performed – The Globe and Mail.