Russian-language propaganda stations spread hate in Canada for Ukrainians, say critics

Of note:

A group of Russian-language journalists in Canada are demanding the federal government remove from this country’s airwaves a pair of Russian-language television channels the journalists say spread hate and propaganda.

Last week, Canadian television providers pulled English-language network RT, formerly known as Russia Today, from their services. But Russian-language channels, RTR Planeta and Channel One Russia, are still available and spreading “weapons grade war-mongering,” says a letter from the Canadian Association of Russian Language Media.

“This aggressive propaganda is used to justify Putin’s invasion, spread anti-Ukrainian hate and radicalize parts of the Russian speaking community in Canada,” reads the letter, signed by 18 journalists from a number of outlets including Russian Canadian Broadcasting, Russian Infotrade LTD and Russianweek.ca.

“Even though we are fully committed and desperately trying to deliver to our viewers, listeners and readers the truth about unfolding events, in accordance with the international journalistic practises and standards, our voices are simply no match to the 24/7 Kremlin war propaganda machine.”

The organization has sent the letter to Prime Minister Justin Trudeau, Deputy Prime Minister Chrystia Freeland and Heritage Minister Pablo Rodriguez. It asks that a directive be issued to the Canadian Radio-television and Telecommunications Commission (CRTC) to pull all channels approved, controlled or owned by the Russian state from public airwaves.

RTR Planeta, an international service of Russian state-owned broadcaster VGTRK, and Channel One Russia are a source for Russians around the world of news and commentary in their language. However, the channels deliver mistruths more than anything, argues Alla Kadysh, a Russian-language radio and podcast host in Toronto who signed the letter.

“It’s been going on for years; it’s basically lies and projections,” Kadysh said of RTR Planeta, whose recent broadcasts have not been seen by the Star. “It’s basically hate-mongering. It’s got to the point where you can’t watch it three or four minutes, you’d go crazy.”

Earlier this week, Canadian television operators announced they were removingRT, the English channel, from their channel listings. That state-backed English-language news network has been accused by analysts of spreading disinformation meant to undermine democracies around the world.

But RTR Planeta and Channel One Russia are still carried by Rogers and Bell, according to the Canadian companies’ websites. (Neither Bell nor Rogers answered requests for comment.)

Critics of the channels say RTR Planeta is particularly sinister. Kadysh said she concerned it is radicalizing its viewers, as presenters frequently call Ukrainians “Nazis” and report false news about the Russian invasion of Ukraine. She fears it is stoking hatred that may lead to violence here in Canada as the war continues.

She said many in the Russian community have bought into the rhetoric.

“I talk to people like this every single day,” Kadysh said. “They don’t believe anything you say because they are already conditioned to believe only Russian propaganda. You talk to these people and there’s something wrong with them.”

RTR Planeta’s signal hasn’t been available since last week due to an unknown reason; a message on the screen blames technical difficulties. The channel’s website has also been down.

The Star has made attempts to speak to the channel’s representatives, but has not been successful.

Marcus Kolga, a disinformation expert with the Macdonald-Laurier Institute, shares Kadysh’s concerns. Often Russian news programming has engaged in a nationalistic stance meant to keep Russians abroad loyal, and uses distorted news as part of the approach, he said, adding that the channels are a major source for news.

“The shows that they have on there are using extremely inflammatory language to describe the Ukrainians today,” Kolga said, referring to RTR Planeta. “They’re calling them dogs, dogs that need to be put down, this is the kind of language you hear where governments and organizations are about to engage in genocide.”

Last week, the Star asked The Department of Canadian Heritage if it planned to address the concerns about RTR Planeta and was told in response that the government was requesting that the CRTC investigate RT, the English and French channels removed by Canadian satellite-TV providers earlier this week.

“We will continue to listen and be led by affected communities,” wrote David Larose of Canadian Heritage media relations. He pointed out the CRTC has said in a statement about its preliminary view of RT that the channel’s programming “may not be consistent with the Commission’s broadcasting regulations, in particular, the abusive comment provisions.”

The Star pointed out the question was about RTR Planeta, the Russian-language channel, and got no response. Some countries have already taken the step of banning RTR Planeta.

Last week, Lithuania banned the broadcaster along with a number of other Russian stations. A majority of the country’s population speaks Russian, causing the government concern.

Lithuania’s ambassador to Canada, Darius Skusevicius, told the Star the Lithuanian government didn’t want the country subjected to the “lies” of Russian television.

“We don’t want our population to get poisoned,” Skusevicius said. “Simple.”

He said during the invasion the network has reported the Russian military is being welcomed with open arms in Ukraine, even as the country maintains a ferocious resistance to Moscow’s troops.

“It’s just unacceptable, it’s a continuation of the glorification of Putin,” he said of the programming.

Meanwhile on Friday, Russia passed a draft law threatening 15 years in prison for those publishing information counter to Moscow’s version of events in Ukraine.

State media in Russia refers to its attack on Ukraine as a “special military operation” instead of calling it a “war” or “invasion.” Moscow also blocked Twitter and Facebook from Russian internet.

The move was no surprise to Kolga, who pointed out Russian leader Vladimir Putin has been working to silence dissent against his rule in the country for years.

Kolga not only wants the network removed from the airwaves, but said Canada needs to apply sanctions to dissuade people from participating in it. He said it’s not a matter of free speech, but one of national security.

Source: Russian-language propaganda stations spread hate in Canada for Ukrainians, say critics

Kate Taylor: Canadian cop show Blood and Water puts #multiculturalism first

Makes the point about lack of meaningful diversity in most popular programming and an example of what can be done:

There’s a new Canadian police show making its debut Sunday night. It revolves around the murder of a junkie in a Vancouver park; his young widow is eight-months pregnant but his wealthy family wants nothing to do with her because they blame her for his drug use. Meanwhile, the female detective who is investigating has just been diagnosed with cancer.

If none of that drama sounds particularly remarkable for a TV cop show, get this: The characters in Blood and Water speak English, Mandarin or Cantonese, according to their situations, and the whole series, which airs on the Canadian multicultural channel OMNI, is subtitled for both English-language and Chinese-language viewers.

Here is a show in which various recognizable figures in Canadian society – a wealthy Chinese businessman, an old white cop, a younger Asian cop, a Downtown Eastside drug dealer – swim alongside each other in a realistic linguistic soup. Television’s pretense that North American cities are conveniently unilingual places is discarded.

Kudos to OMNI, on which original programming usually means cheapo talk shows, for commissioning the series from producer Breakthrough Entertainment. Multicultural television is the great missed opportunity of Canadian broadcasting, something that the unusualness of Blood and Water serves to underline.

This may be a country that prides itself on its multiculturalism but you wouldn’t know it by watching Canadian television, where content that is not in English or French is mainly ghettoized on OMNI or Telelatino and is mainly low-budget – unless it’s been imported from abroad. You can watch a current-affairs show in Punjabi or a documentary about Italian weddings, if you understand those languages, but you aren’t going to encounter much South Asian or Italian content if you only speak English or Cantonese. Small silos rather than broad cross-cultural dialogue is the norm.

Although the CBC has a mandate to reflect Canada’s multicultural nature, its onerous bilingual agenda – by law, it must strive to produce content of equal quality in the two official languages – plus the need for aboriginal-language programming trumps multiculturalism. The result is that the area has been left mainly to the commercial broadcasters – OMNI is owned by Rogers; Telelatino is partly owned by Corus Entertainment, which in turn is owned by Shaw Media – where the reality of serving multiple niche audiences on secondary cable channels has kept programming ambitions low.

Source: Kate Taylor: Canadian cop show Blood and Water puts multiculturalism first – The Globe and Mail

Racial Diversity Grows On Network Television, But Will Quality Lag Behind?

For those who watch US network TV, a take on the upcoming season in relation to diversity and quality:

The good news from the big broadcast networks’ upfront presentations earlier this month, where they revealed their new shows for the next season, is that television’s turn toward inclusion seems like more than a passing fad.

Of 42 new shows planned for next TV season on the Big Four broadcast networks, 13 series (or 30 percent), either star non-white actors, feature a mostly non-white cast or feature non-white actors as co-leads. Given that we’re 15 years past a TV season when no new show on the top four networks had any non-white actors in the cast at all, those numbers look like progress.

These numbers also suggest that talk about white actors losing parts en masse to great crowds of performers of color — sparked by a Deadline.com story filled with anonymous sources that read like the dying gasp of Hollywood’s white, male privilege — was overblown.

But there may be bad news: A look at early information and trailers for many of these shows — most pilots aren’t available to critics yet — hint that the new crop of programs may not be nearly as groundbreaking or innovative as the stuff we saw this past TV season.

… Regardless of the economics of television diversity, recent history indicates that networks have to take a more active part in seeking out incisive, groundbreaking shows and roles for non-white stars – in the way Fox has encouraged producers to maintain diversity on its recent shows.

The networks also need to empower non-white producers to create shows, in the way ABC has worked with 12 Years a Slave screenwriter John Ridley to create American Crime, and Fox backed The Butler director Lee Daniels to make Empire.

It’s part of the constant struggle to create television that reflects the racial diversity of America without amplifying its problems with stereotyping and prejudice. And what’s obvious from a look at the new shows coming next season is that the struggle is about to get more complicated than it has ever been.

Racial Diversity Grows On Network Television, But Will Quality Lag Behind? : Code Switch : NPR.