The man behind Komagata Maru project marks 100th anniversary

Interview with Naveen Girn, the curator of two exhibitions regarding the sending back to India of the Komagata Maru and its passengers 100 years ago:

When you’re sitting by yourself and researching and reading these stories, you can’t help but get sad and cry about these stories, because they’re so heartfelt. They’re on the boat and they’re being deprived of food and water and they believe in their cause and they’re being turned away. A country that I love, a city that I love, is treating people who look like me this way because they look like me. So yeah, it can be very hurtful. But I think the focus has to switch [from] looking at the trauma [to] looking at the ongoing battles that need to take place. So linking this 1914 story to a 2014 story – whether it’s temporary foreign workers, whether it’s rights for other migrant peoples – it has to be relevant to today. People can look at the Komagata Maru and say it’s a “safe” memorial because it happened so long ago. But I think we have to make it a difficult memorial. We have to make it a time when people have those difficult conversations about racism and discrimination. It’s not a time to rest on our laurels. The exhibition is great but what’s the further goal? The end goal is education and awareness and keeping the dialogue going. Getting this in school systems, having a lasting legacy.

My work on the Community Historical Recognition Program, getting to know these stories, their ongoing impact and the power of education and awareness was incredibly rewarding.

The man behind Komagata Maru project marks 100th anniversary – The Globe and Mail.

Komagata Maru exhibit recalls ship that was turned away

Good community-led initiative:

This year, the 100th anniversary of the episode, Mr. Girn is helping to tell the story, which has become a passion for him.

He is overseeing the project Komagata Maru 1914-2014, a collaboration among eight institutions across the Lower Mainland to hold exhibitions and events. At the Surrey Art Gallery, Ruptures in Arrival: Art in the Wake of the Komagata Maru examines contemporary art dealing with the event – and more recent histories of mass migration from Asia to Canada’s West Coast.

The Komagata Maru sailed to Vancouver in 1914, arriving in May. It had 376 passengers on board from Punjab, India – most of them Sikhs. They were British subjects, as were the Canadians they were hoping to join on this side of the Pacific. But Canada allowed only 24 to land. The rest, after two desperate months in Vancouver’s harbour, were forced to return to India. By the time they got there, the First World War had begun and they were seen as potentially seditious. Some were shot and many were imprisoned.

A great deal has been written about the incident, but Surrey Art Gallery curator Jordan Strom says finding visual art about it was challenging.

Komagata Maru exhibit recalls ship that was turned away – The Globe and Mail.

News Release — Minister Kenney attends unveiling of Komagata Maru monument

News Release — Minister Kenney attends unveiling of Komagata Maru monument.