ISIS Vandals Destroy Works of Art That Challenge Their Take on Islam

On the latest nihilism of ISIS and denial of the richness of civilization, Islamic and otherwise:

The enemies of modernity and tolerance and civility and liberty, and all the other values that classical liberals hold dear, believe that destroying the products of the arts and humanities will further their goals. They think the statues they are smashing to splinters and the words they are burning are important and influential enough to warrant their destruction.

This is not, it is worth noting, a radical innovation by ISIS. There is a long history of fundamentalist Islamic groups destroying cultural treasures. The Buddhas of Bamiyan. The “end of the world” gate in the ancient city of Timbuktu. Over 95 percent of ancient Mecca. Countless thousands of ancient manuscripts. Groups from ISIS to the Taliban to Wahabist Saudi clerics have made it clear: Everything must be obliterated.

They claim, of course, that these things must be destroyed because they are idolatrous in themselves or might inspire idolatrous thinking in others. But I think it is far more likely that ISIS wants them destroyed because these objects prove the falseness of their version of history.

From the 8th to the 14th centuries, the flourishing, trading, creative, scientific, philosophic, artistic and intellectual marvel that was the Islamic Golden Age produced a ringing argument against the ISIS narrative that their way—the way of extremism and the sword—is the only path to success.

Golden Age science, mathematics and medicine were the envy of the world. The tolerance and intellectual curiosity modeled by thinkers like Al-Kindi, Al-Farabi and Ibn Rushd created a civilization where, more than anywhere else, Muslims, Jews and Christians were able to study, trade and live in unprecedented peace and productivity.

And this Golden Age died when people who would have been very much at home in ISIS began to gain power.

For ISIS to continue to spread their evil, they must destroy the history that gives evidence against them—by destroying the museums and libraries that protect it—just as they must destroy the living humans who fight them.

Are the arts and humanities important? Do they accomplish anything we should care about?

Look at those who want to destroy them. Consider what their ends are. Then tell me.

ISIS Vandals Destroy Works of Art That Challenge Their Take on Islam.

Art Initiative Explores The Imagined Space Where Islam Meets L.A.

Art as a means for encouraging understanding and contributing to conversation and dialogue:

“What I was interested in doing is deflecting this idea of a certain line of questioning or a certain representational show that is so often associated with a group show organized around identity matrixes,” Sahakian declared to HuffPost. “One thats organized over this overarching rubric of Islamic arts in terms of what people might expect artists to talk about. Instead of pretending there was any artwork that could answer these questions, I wanted to curate an exhibition that would do away with this line of questioning.”

Los Angeles, the site where so many normative, and often false, understandings of Islam are produced, was the perfect space for this exhibition to take place. “Los Angeles has been responsible for the ways much of the world views people from South Asia, North Africa, West Africa, and its diasporas. We understand that a lot of this is contributing to Islamophobia.”

Of course, there are also many more positive reasons to select Los Angeles. “L.A. is a ripe environment because these communities exist here; they’re part of the fabric. These discussions are happening in very natural ways around the city, but we want to formalize them and bring them to the surface. And explore the aesthetic aspects as well.”

Art Initiative Explores The Imagined Space Where Islam Meets L.A..