Browne: After 20 years working in Canada’s cultural sector, I can finally speak out without fear

Good long read and reminder of some of the excesses in the cultural (and other) sectors:

…I believe I was a progressive type. I wanted to be inclusive. I wanted to help people who had a difficult time – for one reason or another – get started in the cultural world or be recognized so they felt equal and worthy to others in the community. I tried to reach out to diverse communities not comfortable with traditional institutions, and … a long list of other well-meaning ambitions. Maybe I was a Christian trying to make the world a better place, but I’d never say that. Then I realized I was always going to be wrong, somehow. Remaining silent was safe for me and the organizations where I was employed. And I did even when there were people who were clearly paying for the sins of their ancestors or unintended consequences beyond their control, including having graduated from a prestigious university. I should have spoken up.

While I learned to say nothing out loud, I continued to have transgressive thoughts. In one training session, we began by confiding to the group what our pronouns were. Instead of he and him I wanted to insist on “sir” or “Mr. Browne” as monikers. (This is how my generation used to address older people they respected.) Needless to say, I didn’t blurt this out.

The cultural world is full of enforcers in 2025: art schools, universities, arts associations and, most brutal and rigid, provincial and federal funders. All conspire to instill proper thinking. If you’ve applied for government grants you know that culture money is a not so subtle animator of social policy objectives. If you want government money, you twist your art to fit their agenda. Much of what is produced in this manner alienates and produces cynicism, not just for a mainstream audience but for complicit culture workers.

Maybe the culture world needs an existential crisis to push us from so-called Canada to patriotism. One that moves culture from an exclusionary ideology that needs to keep finding people and ideas to disenfranchise or to be superior to … to what I’m not sure. Unsettling ideas are the raw cultural edge artists used to embrace; few sought the safety of consensus. This volatile, uncensored realm, not managed by academics or bureaucrats, can perhaps once again offer the possibility of revelation. 

Maybe a new generation of curators and administrators will better separate art from advocacy. In my postretirement life, I’m returning to my teenage ambition to be an artist. I have such old-fashioned ideas about art I’m likely not going to provoke anyone, but I’d hope I’m encouraged by whomever runs museums to do just this.

Kelvin Browne is a former vice-president at the Royal Ontario Museum and the former Executive Director and CEO of the Gardiner Museum

Source: After 20 years working in Canada’s cultural sector, I can finally speak out without fear