Ian Cooper: The real reason to be upset by the Toronto International Film Festival scandal 

More on the TIFF decision and reversal with broader implications. But presumably, for Cooper, there would be some cases where art and art organizations may wish to draw the line:

…Art, like education, is not a TikTok algorithm. It’s not there to cheerlead your pre-existing biases. If you don’t like something, nobody’s forcing you to watch it. If you find yourself groping for an excuse to silence opposing voices, you should probably find some other line of work.

A partially publicly funded arts organization ought to apply principles of institutional neutrality, and its staff ought to prioritize ideological diversity at least as much as visual diversity. The film festival offers a platform. It should not pick a side. Just as academic institutions have been forced to reinvent themselves along these lines or else descend into endless shouting matches, so too will artistic ones.

It’s hard to know whether TIFF CEO Cameron Bailey, or the festival’s board, donors, and government funders, are willing to deliver that kind of blunt message. To do so would require the kind of restraint that seems to be in short supply in our polarized culture.

If they can’t do that, they should give up their public funding altogether. Canadian taxpayers should not have to pay for anybody’s political soapbox.

Ian Cooper is a Toronto-based lawyer.

Source: Ian Cooper: The real reason to be upset by the Toronto International Film Festival scandal

Unknown's avatarAbout Andrew
Andrew blogs and tweets public policy issues, particularly the relationship between the political and bureaucratic levels, citizenship and multiculturalism. His latest book, Policy Arrogance or Innocent Bias, recounts his experience as a senior public servant in this area.

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